Trumpet or Cornet - Frustration Keeps Us From Answers!

As a trumpet / cornet player continues to grow in their playing abilities, we all reach frustrating times with various skills that we either can't seem to master, or can't seem to get a grasp on quickly. To master trumpet/cornet playing, a student must have patience and tenacity! Both are required to help trumpet students through the frustrating times.

Most answers are simple than what our minds will let us accept. There have been many times that I've practiced something and it seems to fly out of the trumpet. Usually what goes through my mind is "it can't be that easy, I've been struggling so long with this!"

The quick answer is - yes, it can be that easy. Most people let the simple solutions escape them because of built up notions of complexity. Something that isn't performed easily within the first few tries, becomes more and more frustrating to the cornet/trumpet player. From double tonguing, high notes, better tone, playing pianissimo, controlling rhythm, performing difficult passages in a piece of music, learning scales, etc. These can all present challenges to each individual trumpeter or cornetist.

Working on major scales for younger students can be not only boring, but a daunting task because they are looked at as difficult in many ways. The F sharp major scale is one that has most notes sharp (or raised half step). What most students don't think about is that there are only 7 notes in each major scale. The F sharp scale has 6 sharps, so why not focus on the one natural? By practicing slowly and taking each note one by one, within a few practice sessions, this scale becomes easier. Within a week, the scale can be memorized. Within a month, it will play as easily for the trumpet student as the C major scale with no sharps or flats. Again - tenacity and patience!

For more simplified solutions, visit Brass Player Solution!

Keith Fiala

Trumpet Players Survival Guide!

The joy that one feels during and after a great performance is indescribable! It is this huge rush of positive energy straight to your soul that makes you almost addicted to playing / performing. I think that musicians and athletes alike experience the same feeling. But what about a bad performance? For me, it's almost like the world is crashing (if I let it get that over powering).

What causes a musician (in this case a trumpeter) to want to give up their passion and look elsewhere? I think if one takes a close enough look, they will find a trumpeters survival guide packed away deep within themselves.

Whether it be in business, love, music, athletics, or anything else a person can feel passionate about, we all get in to a "survival" mode at one point or another. If you're not making enough money, or paychecks are inconsistent (good month / bad month), you can tend to stay in this mode for long periods of time. So much so that we stop looking for solutions to end this phase and go more in to just trying to make it to the next "good check". Music performance (trumpeting) is no different. It's easy to get "stuck" on one thing or another and become consumed with trying to get beyond the lacking skill.

For me, it was trumpet high notes and trumpet range. My range was something that in High School I really started focusing on. I literally got stuck on working on range... it's all I practiced. So much so, that all of my other playing needs were never fulfilled. This threw me in to survival mode with trumpet playing because I couldn't see passed this one aspect. So my rhythm, timing, technique, and even tone went down hill fast! My performances were not up to par like they once were, and things just snowballed from there. Missing one high note would literally throw me in to a tail spin and wreck the rest of my performance... not caring about the music, but more about my ability to amaze and inspire the audience. A selfish desire I must add!

I ended up quitting for 3 years... miserable because I had left behind the one very thing that made my life feel like I had purpose. Coming back to it, I decided that I would not focus all of my energy on that one aspect... so devising a better approach, I found that this one skill that I so desperately wanted, came along with the rest of the package, once I worked other issues out.

If you are a trumpet or cornet player who feels stuck in survival mode too, please visit Brass Player Solution!

Keith Fiala
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Trumpet Rentals Vs Trumpet Ownership!

When a young student or an individual gains an interest in playing trumpet or cornet, they are faced with renting or buying. New trumpets and cornets are quite expensive these days, and require quite a commitment from the player. So purchasing (or buying) new can be quite an expensive undertaking, and if you're not sure that your young student (or you) will stick with playing the trumpet, probably not the first choice.

Most usually, the horns see some abuse because they are prone to dents and dings, and require some care. They are not as fragile as a woodwind (such as flute, clarinet or saxophones). With dents, dings, and wear, they horns lose some value, so reselling the instrument will not gain back the initial investment.

With renting, upfront it seems like a better plan, but it has its drawbacks as well. For students that take to playing and enjoy it, you are paying what seems to be a small amount each month, but adds up over time. Most have a "buy out" plan so you can own the instrument, but some are tricky with they way they word their contracts... be sure to read the fine print as you may only be credited "some" of your monthly fees toward the purchase of that instrument or toward a trade up program.

Some retailers have a trade up offer that makes it sound like what you pay for your rental will be put toward a pro level horn... in a few cases, this is not exactly true... again, only a portion of what you pay will go toward your "credit". And at $24.95 per month for 24 months, you'll get a percentage of the $598.80 that you've put in.

A simple solution is to rent for a short term (2 to 4 months) and see how your young student likes playing trumpet or cornet. If they seem to enjoy it, look for a used horn and buy it outright. You can ask questions about purchasing the rental outright... if it's a used horn, you can usually get a better deal... so instead of paying $598 for 2 years, you can buy one for $250 - $350.

If your student doesn't seem to enjoy it or have the tendency to want to stay with it, then you can take the horn back at the end of the semester or school year and not be stuck with a horn in your closet!

If you'd like a FREE beginning trumpet lesson, please visit Brass Player Solution!

Keith Fiala
Professional Trumpeter
Austin, TX
Former Maynard Ferguson Trumpeter

Trumpet - Natural Ability Vs. Tenacity!

Trumpet and cornet players are typical artists that are victims of misinformation and misleading necessities to be successful at their craft. All too often, trumpet teachers during the students trumpet lessons tell the trumpet players that they are lacking in natural ability and will have to work harder at this that or the other. Most often comments surround such skills as playing trumpet high notes, improvisation in jazz idioms, and musical style and approach.

I am one that does NOT believe that it requires a trumpet / cornet player (or any other artist for that matter) to be born with an extraordinary skill or "natural ability" that just needs refining. I am a trumpeter that has heard both sides of that idea! As a young player, I was really enjoying my instrument and my teachers and family would tell me that I had a "gift", etc. As I got into High School and started getting more interested in cars and girls, my practicing became more about trying to hit high notes with NO guidance as to proper technique vs. practicing skills that would help me grow as a trumpet player... that brought on comments about how you have to be "born with a skill", etc. Now that I'm older and have worked VERY hard on my current skill set, I've had people tell me that I have a natural ability once again... I can tell you that I don't! It comes down to absolute tenacity!

Maynard Ferguson was one that I got to spend a lot of time with in 2004 that was ALWAYS tagged as having a gift... he told me that it wasn't a gift, but rather a desire. Saying that his trumpet was his favorite toy as a kid!

So if you're reading this and feeling discouraged, step back a moment. Your lacking skill just requires more patience and tenacity from you... if you truly focus on your goal and practice slowly and deliberately, you can't fail! Proper guidance is a must!

That's why I wrote "Secrets to Efficient Brass Playing!"

Keep studying!

Trumpet High Note Observations!

Take a good look at this video from the early 80's of Jon Faddis playing trumpet. There are really great shots of Jon straight on when he's playing in all registers of the trumpet. Amazing to watch how closely his lips are set, that he sets off center, and that he doesn't have to strain facially in any dramatic way to get in to the upper register with authority and power.

I've learned by observing our hero's playing trumpet high notes up close, many of the mystery's can be cleared up.

Online Cornet Lessons For Beginners

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If this is you, take your first cornet lesson FREE!

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Trumpet - Lessons in Etiquette!

As a professional trumpet player, educator, and self published author of "Secrets to Efficient Brass Playing," I have been very fortunate that the "critical crowd" has been far and few between. But what strikes me as interesting is that the truly great players never seem to brag, talk about, or have to put down other players. The ones that are busy putting down others are the ones who seem to have the least amount of talent, skill or honor to defend.

One such comment posted to one of my recent youtube videos was extremely condescending, negative, and just down right snide. My first instinct was to get angry, but then I remembered the biggest lesson that Maynard Ferguson taught me while touring with him. And that is that too many players that wish they were are too busy to improve because they are wrapped up in criticizing others... that statement alone set my heart at ease. So I got the best revenge that I could - by ignoring this comment, deleting the post, and blocking the user.

Trumpet players in general tend to compete with each other to the bitter end. I don't see this a lot with other instrument players or groups of instrumentalists. Perhaps that's why they call the trumpet players the Neanderthals of the musical world. Once a player ascends to feeling comfortable in his or her own musical skin, this feeling of inadequacy tends to fade away like a bad memory.

My best advice to aspiring trumpet players out there - don't buy in to the negativity, and if you're attacked by one of those typical "lunk heads" remember what Maynard said!!! A player that wishes they were will spend more time attacking than improving!

Check out Brass Player Solution for more helpful insight and tips!

Keith Fiala / Anna Romano