As a trumpet / cornet player continues to grow in their playing abilities, we all reach frustrating times with various skills that we either can't seem to master, or can't seem to get a grasp on quickly. To master trumpet/cornet playing, a student must have patience and tenacity! Both are required to help trumpet students through the frustrating times.
Most answers are simple than what our minds will let us accept. There have been many times that I've practiced something and it seems to fly out of the trumpet. Usually what goes through my mind is "it can't be that easy, I've been struggling so long with this!"
The quick answer is - yes, it can be that easy. Most people let the simple solutions escape them because of built up notions of complexity. Something that isn't performed easily within the first few tries, becomes more and more frustrating to the cornet/trumpet player. From double tonguing, high notes, better tone, playing pianissimo, controlling rhythm, performing difficult passages in a piece of music, learning scales, etc. These can all present challenges to each individual trumpeter or cornetist.
Working on major scales for younger students can be not only boring, but a daunting task because they are looked at as difficult in many ways. The F sharp major scale is one that has most notes sharp (or raised half step). What most students don't think about is that there are only 7 notes in each major scale. The F sharp scale has 6 sharps, so why not focus on the one natural? By practicing slowly and taking each note one by one, within a few practice sessions, this scale becomes easier. Within a week, the scale can be memorized. Within a month, it will play as easily for the trumpet student as the C major scale with no sharps or flats. Again - tenacity and patience!
For more simplified solutions, visit Brass Player Solution!
Keith Fiala
Showing posts with label trumpeter wynton marsalis. Show all posts
Showing posts with label trumpeter wynton marsalis. Show all posts
Monday, September 14, 2009
Thursday, September 3, 2009
Trumpet Players Survival Guide!
The joy that one feels during and after a great performance is indescribable! It is this huge rush of positive energy straight to your soul that makes you almost addicted to playing / performing. I think that musicians and athletes alike experience the same feeling. But what about a bad performance? For me, it's almost like the world is crashing (if I let it get that over powering).
What causes a musician (in this case a trumpeter) to want to give up their passion and look elsewhere? I think if one takes a close enough look, they will find a trumpeters survival guide packed away deep within themselves.
Whether it be in business, love, music, athletics, or anything else a person can feel passionate about, we all get in to a "survival" mode at one point or another. If you're not making enough money, or paychecks are inconsistent (good month / bad month), you can tend to stay in this mode for long periods of time. So much so that we stop looking for solutions to end this phase and go more in to just trying to make it to the next "good check". Music performance (trumpeting) is no different. It's easy to get "stuck" on one thing or another and become consumed with trying to get beyond the lacking skill.
For me, it was trumpet high notes and trumpet range. My range was something that in High School I really started focusing on. I literally got stuck on working on range... it's all I practiced. So much so, that all of my other playing needs were never fulfilled. This threw me in to survival mode with trumpet playing because I couldn't see passed this one aspect. So my rhythm, timing, technique, and even tone went down hill fast! My performances were not up to par like they once were, and things just snowballed from there. Missing one high note would literally throw me in to a tail spin and wreck the rest of my performance... not caring about the music, but more about my ability to amaze and inspire the audience. A selfish desire I must add!
I ended up quitting for 3 years... miserable because I had left behind the one very thing that made my life feel like I had purpose. Coming back to it, I decided that I would not focus all of my energy on that one aspect... so devising a better approach, I found that this one skill that I so desperately wanted, came along with the rest of the package, once I worked other issues out.
If you are a trumpet or cornet player who feels stuck in survival mode too, please visit Brass Player Solution!
Keith Fiala
Follow Me On Twitter
What causes a musician (in this case a trumpeter) to want to give up their passion and look elsewhere? I think if one takes a close enough look, they will find a trumpeters survival guide packed away deep within themselves.
Whether it be in business, love, music, athletics, or anything else a person can feel passionate about, we all get in to a "survival" mode at one point or another. If you're not making enough money, or paychecks are inconsistent (good month / bad month), you can tend to stay in this mode for long periods of time. So much so that we stop looking for solutions to end this phase and go more in to just trying to make it to the next "good check". Music performance (trumpeting) is no different. It's easy to get "stuck" on one thing or another and become consumed with trying to get beyond the lacking skill.
For me, it was trumpet high notes and trumpet range. My range was something that in High School I really started focusing on. I literally got stuck on working on range... it's all I practiced. So much so, that all of my other playing needs were never fulfilled. This threw me in to survival mode with trumpet playing because I couldn't see passed this one aspect. So my rhythm, timing, technique, and even tone went down hill fast! My performances were not up to par like they once were, and things just snowballed from there. Missing one high note would literally throw me in to a tail spin and wreck the rest of my performance... not caring about the music, but more about my ability to amaze and inspire the audience. A selfish desire I must add!
I ended up quitting for 3 years... miserable because I had left behind the one very thing that made my life feel like I had purpose. Coming back to it, I decided that I would not focus all of my energy on that one aspect... so devising a better approach, I found that this one skill that I so desperately wanted, came along with the rest of the package, once I worked other issues out.
If you are a trumpet or cornet player who feels stuck in survival mode too, please visit Brass Player Solution!
Keith Fiala
Follow Me On Twitter
Friday, August 28, 2009
Trumpet Lessons - Quick Ways to Improve
Trumpet - One of the more challenging instruments to play if the trumpeter doesn't have guidance early on in their developmental years. There are a lot of myths, confusion, and misinformation surrounding playing trumpet high notes. I've heard (and have been told) stay away from the high notes because it will wreck your sound, wreck your lip, give you a jazz tone (what ever that is), or will make you lose flexibility and control.
There is nothing further from the truth if the trumpet player approaches trumpet high notes with logic and not impatience. What gets most trumpeters into trouble is either when they venture into this territory alone, or start taking advice from those that really don't understand what makes the trumpet upper register happen in the first place.
I for one, was a player who was left to their own devices in the beginning, and then getting advice from all the wrong voices! I was 25 years in before I finally started receiving information that was a bit clearer and helped me on my path to success. By doing it "wrong" for so many years, I had to force myself to learn what was causing me to miss... some of the things that I've learned were as follows...
Smiling thins the lips - causing ANY amount of mouthpiece pressure to stop the vibration
Most players pinch or roll their lips in vs. using the airstream to speed up the air
It is FAST air that creates a high note - there is no reason to strain
Playing too loudly (or attempting to play higher notes too loud too soon) will nearly guarantee failure!
Keeping the lips in a small aperture setting (see above) like playing softly will greatly aid in high notes!
If you are a trumpet player who is really frustrated with attempting upper register notes, please visit BRASS PLAYER SOLUTION for more information that can help resolve these issues!
Keith Fiala / Anna Romano
There is nothing further from the truth if the trumpet player approaches trumpet high notes with logic and not impatience. What gets most trumpeters into trouble is either when they venture into this territory alone, or start taking advice from those that really don't understand what makes the trumpet upper register happen in the first place.
I for one, was a player who was left to their own devices in the beginning, and then getting advice from all the wrong voices! I was 25 years in before I finally started receiving information that was a bit clearer and helped me on my path to success. By doing it "wrong" for so many years, I had to force myself to learn what was causing me to miss... some of the things that I've learned were as follows...
Smiling thins the lips - causing ANY amount of mouthpiece pressure to stop the vibration
Most players pinch or roll their lips in vs. using the airstream to speed up the air
It is FAST air that creates a high note - there is no reason to strain
Playing too loudly (or attempting to play higher notes too loud too soon) will nearly guarantee failure!
Keeping the lips in a small aperture setting (see above) like playing softly will greatly aid in high notes!
If you are a trumpet player who is really frustrated with attempting upper register notes, please visit BRASS PLAYER SOLUTION for more information that can help resolve these issues!
Keith Fiala / Anna Romano
Subscribe to:
Posts (Atom)